Archive for the 'Starting a Video Project' Category

What does a web video cost? 25 Factors (with prices) that affect video production costs.

What does a web video cost?

Video production can cost as much or as little or as your budget allows.

You can borrow a flip camera, shoot some video and upload it to YouTube – all for free. Or you could hire James Cameron to write, produce and direct your video where you’d be looking at a budget just shy of  half a billion dollars when you include marketing costs and Hollywood accounting. Both options would result in a finished video but you’d probably need special glasses to watch the the more expensive option.

The good news for businesses looking to engage a video production company is that many of the factors that affect the price of a video have been going down over the last few years. Some dramatically. Assuming you find a company that does great work the first question to be answered is  ‘how much does a video cost?’ There is no simple answer to that question but here are 25 factors (ranked in order of importance to the overall quality of the video) that affect the price of a web video:

  1. Production Experience. Doctors, mechanics, lawyers, videographers… whatever profession you care to mention, experience matters more than any other factor and, all things being equal, you do tend to get what you pay for. There are many, many moving parts in the creation of a video but at the end of the day you are paying for the expertise and experience of the key people responsible for your video. 
    Costs:
    You can pay $25/hour for a recent film school graduate or $250/hour for a top flight video veteran. On average most production companies will charge between $50/hour and $150/hour for the people involved in key activities such as shooting and directing.
  2. Concept / Script / Storyboard –  Doing video for the sake of video is a waste of money (although it’s great for the video production industry!) What measurable business objective are you trying to achieve?  How is this video specifically going to achieve that objective? And of greatest importance, do the people creating your video have the experience or guidance to create a video that will help move your business forward? Lighting, sound, framing and editing are all important but they don’t matter in the least if what you are creating has no value to your intended audience. Like companies that spend $10,000 on website development and little or no money on content for the site, many companies waste a lot of money on nicely shot but otherwise meaningless video.
    Costs: Expect to spend between $60/hour and $125/hour for an experienced marketer (does it make sense to have an entertainment script writer develop your marketing script?) to develop a concept, script and storyboard that serves as the blueprint for you video.
  3. Editing. The editing process is highly nuanced. Editing is where you create the style and substance of the video – you sequence all of the available assets into a cohesive story that communicates your key messages in a clear and engaging manner. Editors arguably should be the most highly paid (and skilled) in the entire process (quite often they are not.)
    Costs:
    Editing costs run between $40/hour and $125/hour.
  4. Actors/Presenters. Do you need to hire professional presenters, actors or models to improve the quality of your presentation? Not everyone is good on camera. You may need to make difficult decisions about who should represent your company. In a broadcast commercial quite often it is not someone in your company. Even in a corporate video you may decide that hiring outside talent is the best decision.
    Costs:
    Presenters, models and actors can range anywhere from $50/hour to $200/hour or more depending on experience, demand and union costs.
  5. Camera. The quality and flexibility of the camera you shoot with can make a huge difference in the finished quality and editing options for your video. Are you shooting on a $ 500 DV camera, a $2,500 SD camera, a $10,000 Full HD camera, a $40,000 RED or are you shooting on Film? The pace of technology advancement in film and video is breathtaking and the features and capabilities of cameras are changing weekly.  Bottom Line: You should be able to see the difference in the final output quality in more expensive cameras. If you can’t, then it’s not worth paying for.
    Costs:
    You will spend between $25/hour and $150/hour or more depending on which digital camera is used. Film cameras, lenses and stock will take you well over $1,000 /hour.
  6. Equipment. The more experienced video production companies tend to have a wide variety of tools and equipment on hand for each shoot. Do you need a track dolly or a jib-arm to create a shot with movement? Do you have a high quality field monitor to know exactly what you are getting (or not getting) as you shoot? Do you have all the necessary audio equipment (lav’s, direction mics, booms etc) to capture the audio you need?  Lighting and framing are everything in video. Do you have lights – lots of different lights to accommodate a wide variety of shooting scenarios? Do you have a variety of lenses to create the specific feel you are after – wide angle, fixed focal lenses for narrow depth of field etc?
    Costs. Equipment cost can run anywhere from $25/hour to $100/hour or more depending on what specific equipment is required.
  7. Crew. If you’ve ever watched a movie or television show being filmed you might wonder why you need so many people standing around idle on a set. Most business web video productions don’t require more than two people (and sometimes one is enough) but depending on the complexity of the shoot you may require a crew of three or more. If you are conducting man on the street interviews as an example, you need a cameraman, a sound man and a directer or interviewer. Concept videos like commercials will often require more people to help with the logistics of the shoot.
    Costs: Expect to pay between $ 25 and $75/hour/person for experienced crew.
  8. B-Roll / Cut-away shots. Most videos benefit from the addition of footage that supplements what is being said on screen. If you are interviewing a business owner who is talking about their new equipment you should cut away to shots of the equipment as they speak. Showing the viewer what is being described in the video is more informative (show me , don’t tell me) and also helps to keep the attention of the impatient viewer.
    Costs: The length of time and equipment used to capture the b-roll will increase production costs. You can add anywhere from 10% to 50% of the total shooting costs if you need to supplement interview footage with b-roll.
  9. Locations and production time. Where are you shooting? How long will each scene/interview/shot take?Are you shooting in one location or many? What are the specific requirements and constraints of each location? Are you indoor or outside? If you are shooting outside is weather a factor? If so what happens if it rains? How much set-up time is required? Are the locations close together? The most important factor is what is the total amount of time required for production. There are few economies of scale for time – but with good planning you can do a lot within a specific period of time.
    Costs: This cost is arithmetic. Two days of shooting is twice as expensive as one day. {If shooting extends for many days or is regularly scheduled then most companies offer a discount}
  10. Studio shooting. Do you require the use of a sound stage or studio? Do you need a controlled environment to shoot in? Are you shooting green screen and keying out the background in edit? The use of a studio has to be factored into the overall cost of the production one way or another. Larger companies may include studio time in their shooting costs and other companies include it as a line item as studio rental time.
    Costs: Factor in between $100/hour and $ 400/hour depending on the size of the studio.
  11. Set, props, equipment, extras. Aside from video production equipment are there other special props or pieces of equipment that need to be included as part of the costs. Do you need to rent a van, rent furniture, hire extras, hire a plane or helicopter for an aerial shot or bring in special equipment for the shoot. These all have to be factored in to the cost of the shoot.
    Costs: Depends on what is required.
  12. Stock footage Do you require supplemental footage or images to support the video? There are many websites that sell high quality still and video footage. Some videos are comprised completely of stock footage, text and voice-over.
    Costs: Stock images can be as cheap as $3 and great quality HD stock footage can cost as little as $50.
  13. Narration Do you need a voice-over to tell your story or to tie the video together. Video is a powerful medium but it is even more powerful if you take full advantage of audio to support what is being shown on screen.
    Costs: Voice-over costs have dropped dramatically over the last five years. Many voice artists work from home and can produce great work for almost any budget. $100 – $400 for a 2 minute video is reasonable depending on the experience and demand for the specific voice artist.
  14. Audio files. Do you require a music bed, special sound effects or other audio to supplement your video?
    Costs: Good quality music for video starts as low as $30 for a two or three minute track. Custom audio can cost $1,000 or more depending on the experience of the musician and what is required.
  15. Teleprompter. A teleprompter can save a shoot. Even the most experienced speaker can be intimidated by lights and camera. It’s true that you can usually tell when someone is reading a teleprompter but that may still be preferable to the agony of a shoot spiraling out of control because the CEO can’t remember his lines.
    Costs: Teleprompter and operator usually cost between $350 and $600 for a half day.
  16. Geographic Location. New York is more expensive to shoot in than Central Lake, Michigan because the cost of living is higher in New York. Half day rates don’t exist in some large cities today.
    Costs: Expect to pay between 25% and %50 more if you are shooting in a large city.
  17. Digitizing, transfers, rendering and uploading. Video takes on many forms during the production process. If you shot on film you have to transfer it to a format that works in your editing system. After you edit it, you have to render it to a presentation format (for web, for broadcast, etc.) and depending on where it’s going you may have to upload it somewhere (your web server / YouTube / The Academy Awards, etc). All this takes computer and human time and you generally have to pay for both.
    Costs: Sometimes these costs are buried, sometimes they are line items. Tape transfers are still very expensive ($100’s of dollars).  Rendering and uploading time are usually buried in the costs but can also be charged out at an hourly rate ($50 – $100 per hour).
  18. Length of the Video. The longer the video the more it is likely to cost. Web videos tend to be around a couple of minutes although this varies considerably depending on the type and purpose of your video. Filming an articulate talking head (limited editing) for 10 minutes is much cheaper than creating a 30 second commercial. So…
    Costs: All things being equal (they never are) consider longer to be more expensive, but it’s not arithmetic. An extra minute of video might only cost you %10 more if you have planned the extra requirements into the overall workflow.
  19. Licensing/Union Fees. Are you using any media assets or talent that could be subject to ongoing licensing, usage or union fees? The web continues to drive all costs down including licensing fees – but they still exist. The best talent is usually a member of  SAG, ACTRA or some other union.
    Costs: Varies depending on the project and talent.
  20. Direct or Third party. Are you dealing directly with the video production company or are you going through an agency or other middleman?
    Costs: You should expect that you are paying at least a %30 mark-up if you are going through a third party.
  21. Interactivity. Are you creating linear video or are you building in interactivity? Is there a direct call-to-action that you want to get the viewer to follow? Do you require flash programming do build the video into a special player that will sit on a specific landing page? The future of video is interactive video.
    Costs: Expect to pay between %10 and %30 more to develop interactivity and flash support elements into your video.
  22. Hosting. Your video is going to live on the web. Where is it being hosted? You might end up hosting it on different servers (your own, YouTube, a business portal, etc.) depending on your business needs.
    Costs: Hosting is either free or relatively inexpensive ($ 5 – $10 / month/video depending on bandwidth usage.)
  23. Formats. How many different formats does your video have to be rendered in? Where is it going to be seen? Do you need a short version (editing down) and a long version? Does it sit in a multiplayer or is it in three different players? Should you break it up into pieces to make the length of it a little less evident and also to allow the user a bit more control?
    Costs: Adapting multiple formats for a video could add %5 to %10 percent to the cost of the job depending on how much editing is required.
  24. Language and translation. Do you need close captions? Do you need language versioning? Do you need onscreen text to change per language? Do you need to dub in different narration for different markets?
    Costs: Language versioning can add %10 to %20 to the overall cost of the job. (Editing and proofing of different languages is usually much more time intensive than one language alone.)
  25. Miscellaneous fees. Ya, everyone hates lawyers ‘disbursement fees’. Video production has the equivalent in ‘Miscellaneous fees’: Travel costs, meals, mileage, hotels, transportation, out-of-pocket… it all adds up.
    Costs: Usually in the $100’s and sometimes in the $1,000’s of dollars on larger shoots.

Bottom Line?

Taking all of the above into consideration there are reasonable ballpark figures that you can use as a guidepost for budget purposes. A two to three minute web-based corporate video presentation might cost between $2500 and $7500 depending on the variables mentioned above. If you use the time honored “$1,000 a minute” for a professionally produced online corporate video as a starting point, that will give you a reasonable idea of where to begin in the budgeting process.

Budgeting Tip

The best way to get a quick estimate is to have a reference video to compare to. (I.e. “How much would something like ‘this’ cost.”)

Did I miss something?

Set, props, equipment, extras. Aside from video production equipment are there other special props or pieces of equipment that need to be included as part of the costs. Do you need to rent a van, rent furniture, hire extras, hire a plane or helicopter for an aerial shot or bring in special equipment for the shoot. These all have to be factored in to the cost of the shoot.
Costs: Depends on what is required.
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13 things to consider before you start your next video project

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You’ve heard about the growth of video as a marketing tool, you’re starting to notice video pop up on more and more websites and you’re considering adding video to enhance your marketing efforts. Where do you start? The following is a list of things to consider before starting your next video project.

1. What is your goal? Video for the sake of video is a bad idea. You should have a business goal in mind when you begin a video project. Am I trying to show people how my product or service works? Am I trying to provide engaging testimonials from my clients? Am I trying to highlight a complicated concept in simple terms? There are lots of ways to take advantage of video (See 26 ways to use video) but each one of them should have a well defined and measurable objective.

2. What is your budget? There are many factors that determine the cost of a video (See What does an Online Video cost). A video can cost under $1,000 to produce and it can cost tens of thousands of dollars. A video production company can take you through the process and show you examples and explain the cost associated with each type of video. That said, if you know you only have $ 2500 dollars to spend you will save everyone a lot of time and effort by saying so.

3. What can you bring to the table? Do you have a clearly defined audience, positioning strategy, business goals and market differentiators that should be highlighted in the video? Video is just another marketing medium – more engaging to be sure, but still a communications tool that has to be developed based on clear business objectives. Aside from a good budget, clear business guidance is the best thing you can provide to your video production company.

4. What should my video production company bring to the table? I remember a client telling me about an awful experience they had when a graphic designer redid their website. “It looked good but was sort of useless?” They hired a graphic designer… what did they expect? Videographers and video production companies come in many different shapes and sizes and have very different skills. Some production companies do corporate work to maintain cash flow between entertainment projects. Some independent videographers are great camera people but have limited business experience. Some social media companies have great experience with web 2.0 projects but may have limited experience with video. Most ad agencies, design shops and marketing firms list video as a core competence. That may be true. Everyone has a specialty. It should be clear what skills and experience the companies you are considering bring to the table.

5. What is the timeline and approval process? Don’t leave this to chance. If you are planning a sizable production you will need a script and probably a storyboard. There should be no surprises. If you need approvals get them worked out before the shooting starts. Make sure you assign a project lead who is responsible for the outcome of the project.

6. Are you building in interaction? The more interaction you can build into the experience the more engaged the viewer is with your brand. Interest, engagement and interaction should be the goals of online video “Click here to…” is a good start. What do you want the viewer to do when they have finished watching your web video? How deep do you want to take your viewer in an interactive presentation? Ultimately conversion is what counts. What do you want the viewer to do after they have watched the video?

7. Show them, don’t tell them. Late night infomercials may be a marketing cliché, but you can’t deny the guilty pleasure of watching that little plastic blender create fourteen meals in 5 minutes. Educators and trainers have long known that the true benefit of video is that it generates much higher retention rates because it engages more than one of the senses at the same time. Retention rates can triple when what you hear is being reinforced by what you see. The ability to show your customers how your product works, how it solves their problems and how it is used by others is where video marketing and rich media is unsurpassed as a vehicle to engage and persuade your audience. A walk-through of your software interface may be helpful – but it doesn’t demonstrate to prospects the benefits of your product or how your products or services fit into their processes or business cycles. Video, animation and interactive flash programming can build compelling visual examples of exactly how your products work and why they solve your customers’ problems.

8. Are you supporting your brand? Good viral video can be very effective, but good viral video is really, really hard to do. Crappy viral video is surprisingly easy to accomplish. Video should be engaging and it should tell a good story, but it should also support your brand. If you goal is just to create entertainment then you should consider selling tickets. Your internal marketing team and/or ad agency have spent a lot of time and effort on building and supporting your brand. If one of the goals of your rich media efforts is ‘branding’ (building brand awareness) then it is essential that the style, tone and content of your video rich media tools all support your desired positioning in the marketplace. (Most viral videos seem to do the opposite of this today.)

9. Are you promoting the video? Posting the video on your website is a great start, especially if your site recieves a lot of traffic. But one of the true benefits of video over any other marketing medium is it’s reach. Websites as destinations are becoming less important. Social media and changing online behaviours are causing companies to bring their messages to where their audiences are online – instead of just hoping that people find your website.

10. Are you optimizing the video for SEO? Google likes video. You need to consider how you are promoting the ideas, the terms and keywords in your video to help with your SEO activities. Good meta data and titling are important.

11. Who’s perspective are you considering? There is only one perspective that matters in business – your customer’s. No one really cares about you or your product but they do care about how you might be able to solve their problem. Are you speaking your customers language?

12. Authenticity is important. Sure ‘authenticity’ has become a marketing cliche but social media is all about connecting on a human level. There are many different styles and approaches you can take when developing video but ‘authentic’ is a really good place to start.

13. Is your video Shareable? Are you going to put it up on YouTube, Facebook or any of the many other social media sites? Why not?

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Online video script writing – 6 practical tips

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Writing scripts for movies, television, industrial videos, commercials, and web video all share one critical element required for success – you need to tell a good story. That means you have to know who your script will appeal to and why, before you write it.

Unless you are planning an unscripted video (this format still requires considerable preparation) the first step in the creation of an online video is the script. The script is the ‘what’ – it is the foundation for the entire video production process. Regardless of whether you plan to develop your script internally or hire a video production company to assist you, here are six tips to help make the production process a little bit easier:

Video Length You should have a good idea of how long you want the completed video(s) to be before you start. Are you creating a 2 minute corporate overview, a 4 minute detailed product demo, or 6 minute video case study. Online, shorter is better. Consider 150 words a minute as a general guide. {Try reading out loud for a minute at a comfortable pace and see how many words you get through.} Time guidelines will help you determine how long your script should be. If you are shooting for 3 minutes and your script is 1000 words you need to start cutting.

Approvals  Depending on your internal structure (and your aversion to risk) you may need to get internal approval on your video script. The script stage is the best place to get approvals and make changes. Don’t wait until the shoot to make your decisions or worse, after the shoot during the post-production stage. Script changes here are either expensive or impossible. One thing to be aware of during the script approval stage is script bloat. Everyone will have something they want included and the path of least resistance is often to just include everything. That could result in a longer and inferior final product. Having a target length helps limit this problem.

Structure of the script Try to break the script down into smaller pieces. If it is longer than 4 or 5 minutes you may want to break the video up into two or three discreet pieces that the viewer can choose to navigate between. (It’s better to offer the viewer a choice other than just to leave your video.) If the script is short you should still break it down into smaller discreet pieces. This gives you more flexibility at the edit stage and also makes the production (filming) process much easier.

Teleprompter If your video includes a script you should consider renting a teleprompter and operator. It will save you hours of production time and might just save the whole shoot.

Onscreen elements Even if you are not going to the effort of creating a proper storyboard for your video you should at least map out the onscreen elements and actions that are planned to accompany the narration. Is there onscreen text to support the script? Are there cut-aways to screen shots, B-roll or other onscreen graphics required? Getting this all down (and approved) in script format first will save you a lot of time and money.

Script Dry Run Before you bring the film crew in, schedule a dry run. You can’t think of everything. Your location, the software you were going to demo, the presenter, the flow or pace of the presentation… something is not going to work the way you thought it would. Better to catch it before the crew arrives.

 

 

 

 

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