Archive for the 'Managing Video Projects' CategoryPage 2 of 2

4 Reasons to shoot corporate video in Full HD.

There are many different cameras and many video formats at the disposal of video production companies: DV, Digital Betacam, DVCAM, DVCPRO, HD, P2, XDCAM, Red and even film (16 or 35mm if the budget allows).

Full HD (1920×1080p) is becoming the new high-end standard for corporate video production. Cameras like Panasonic’s P2 series or Sony’s EX1 series are capable of shooting at the highest resolutions and outputting directly to disc – which allows for much more efficient workflow. These cameras rival or surpass the quality of broadcast ENG cameras. Fully tricked-out with proper mikes and lens you’re probably looking at an outlay of $12,000 or more. But if you are looking for high quality input (and output) and want to make sure your video will still be usable tomorrow, using a camera that shoots full HD is your best option.

I shoot almost exclusively with the Sony EX1 for many reasons:
1. Quality. Attaining high quality footage is the best and most obvious reason to shoot in full HD. Whether you are shooting for a 480×270 web video or for a large HD plasma display at an event, there is no substitute for the quality that a high-end camera produces. In IT circles the expression ‘garbage in, garbage out” relates to the quality of output being determined by the quality of the input. The same holds true for video. Even if you are compressing your full HD footage down to a small web video format the final quality is still determined by the starting quality. Keying out backgrounds, colour correction, zooming in edit mode and many other post production activities are directly affected by the quality of the original video.
2. Flexibility. HD is ‘future proof’ (today). You can repurpose and re-use your full HD footage for a variety of uses such as trade shows, broadcast, and the web and still plan on incorporating it into future productions and formats. Video formats change quickly so having the highest quality footage allows you the most flexibility and re-use options in the future.
3. Standards. Full HD is becoming the standard (16×9 aspect ratio full 1920×1080p) for Corporate Video. Large companies are starting to specifically ask for this format and mid-sized and smaller companies will follow suit. Ericsson even claims that its mobile phone cameras will shoot in HD video in 2012!
4. Ecosystems – A corollary of the quality and standard argument is that ecosystems evolve to support the standards and the higher quality formats because of the larger scale associated with the standard and the higher profits associated with the higher quality. Camera equipment, editing software, storage devices and a host of other support products and services will evolve around the high end HD standards like Sony’s EX1 and the Panasonic P2.

Share This
  • email
  • Print
  • Twitter
  • Facebook
  • StumbleUpon
  • LinkedIn
  • Google Bookmarks
  • del.icio.us
  • Digg
  • Reddit
  • Technorati
  • Tumblr

Should you use a presenter in your corporate video?

 

If you are blessed with articulate, charismatic executives then consider yourself lucky. If you are like most companies (large or small) however, you may want to consider hiring professional presenters to represent your company in your corporate videos.

This subject often triggers vigorous debate amongst the ‘authenticity’ purists. I tend to take a more pragmatic approach when considering whether or not to use a presenter. The answer to whether or not a professional presenter is necessary or appropriate depends on the context. Some examples:

Commercials. Most companies (large and small) use presenters/actors for commercials, for good reason. Stephen Jobs is arguably one of the best presenters on the planet but Apple doesn’t use him in their ads. Justin Long ( the “I’m a Mac” guy ) is a much better embodiment of the Apple attitude, style and demographic than Jobs. Sure, Dave Thomas was a great spokesman for Wendy’s, Sir Richard Branson is Virgin and Harland David Sanders was KFC – but these are the exceptions. Linking your brand to the CEO is not always a good strategy (especially if he/she leaves the company). Lee Iacocca and his outsized ego almost crushed Chrysler back in the day. Unless you have a compelling, articulate leader – one that your target audience identifies positively with, you are better off to use a surrogate.

Product Demonstrations. This category is much more complicated because there are many types of product demonstrations and many different audiences. As an example, if you are selling into a technical B2B market then a product demo is better delivered by the product manager – regardless of his/her on- screen abilities. Technical audiences trust technical people and rather enjoy ridiculing actors who “probably don’t have a clue about they are talking about”. If, on the other hand you are selling a non-technical product to a B2C market then a presenter that represents your target demographic would be more appropriate. If you are showing how something works – i.e. a real-world example (either in the field with a customer or in reinacting in a studio)  then actors / presenters may be much better suited to the task. “Show me, don’t tell me” is one of the sweet spots of online corporate video and product and service demos in particular.

Corporate Overviews. This is one of the broadest and most common Online Corporate Video Categories – usually the first point of entry for companies using online video to market themselves. This category also overlaps product demonstrations for companies where one product is the company. Corporate Overviews are the best place to show off the executives or employees because the business purpose of the corporate overview is to highlight the company (not necessarily the benefits of the products or services that you produce). In this case authenticity is very important. The challenge however comes when your owner/CEO/ executive is just not that compelling. Some video production companies will claim they can make anyone look good on camera, but the truth is that not everyone does well on camera. Awkward, confused, inarticulate, nervous, distracted, uninspiring… none of these characteristics help your company’s image. You may want to consider reaching down into the ranks to find someone who might have a stronger emotional appeal with your target audience and who is more comfortable on camera.

The desired format and structure of the video should determine the need for a teleprompter. If you are looking for a personal, unscripted style then it might make sense to give the executive some talking points, roll film and cross your fingers. If however, you have a very specific, detailed or structured message you should consider using a teleprompter with either a company spokesperson or an external presenter.

One of the challenges is that you often don’t know how you will do until in front of a camera until you are in front of a camera. It is the job of the video production company to make professional recommendations as to the use of a presenter versus an in-house spokesperson. It can be very difficult for the business to be objective about its own internal capabilities and it also can be politically challenging for internal staff to tell executives that they are not doing well during a shoot.

 

Share This
  • email
  • Print
  • Twitter
  • Facebook
  • StumbleUpon
  • LinkedIn
  • Google Bookmarks
  • del.icio.us
  • Digg
  • Reddit
  • Technorati
  • Tumblr